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  <id>https://archive.blackgothamarchive.org/items/browse/?tags=business&amp;output=atom</id>
  <title><![CDATA[Black Gotham Archive]]></title>
  <author>
    <name><![CDATA[Unknown]]></name>
  </author>
  <rights><![CDATA[Copyright Black Gotham Archive. All Rights Reserved.]]></rights>
  <updated>2018-07-10T17:24:53-04:00</updated>
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  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/121/</id>
    <title><![CDATA[Wall Street]]></title>
    <updated>2013-09-25T20:58:12-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/121/"/>
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    <category term="business"/>
    <category term="public places"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Wall Street</div>
                    </div><!-- end element -->
                        <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">NYPL ID number: 809991</div>
                    </div><!-- end element -->
                <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1825</div>
                    </div><!-- end element -->
                <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Picture Collection, The new York Public Library, Astor, Lenox and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">print</div>
                    </div><!-- end element -->
            </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/110/</id>
    <title><![CDATA[Business Card, Albro Lyons &amp; Co Seamen&#039;s General Outfitting Store]]></title>
    <updated>2013-03-31T18:42:27-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/110/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/234475611d248939bf020d1578a76b48.jpg" type="image/jpeg" length="3153943"/>
    <category term="business"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Business Card, Albro Lyons &amp; Co Seamen&#039;s General Outfitting Store</div>
                    </div><!-- end element -->
                        <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Harry A. Williamson Papers, Sc Micro R-3984, Reel 1, Box 1</div>
                    </div><!-- end element -->
                        <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">Print</div>
                    </div><!-- end element -->
            </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/74/</id>
    <title><![CDATA[South East &amp; South West Corners of Greenwich &amp; Franklin Streets, 1861]]></title>
    <summary><![CDATA[In addition to the Five Points, black New Yorkers settled in and around Greenwich Street from the 1820s on.  Much like the Five Points, the area was overcrowded and highly unsanitary.  In the 1850s, Peter Guignon could be found on Greenwich Street where he maintained his home and a barber shop several blocks south of Franklin Street.  If he wanted to visit his former classmate, James McCune Smith, Peter could simply walk north past Franklin Street to Smith&#039;s residence on North Moore Street right off of Greenwich Street.]]></summary>
    <updated>2012-06-03T17:14:54-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/74/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/6d6f3e53c213a995eb925745b7f32acc.jpg" type="image/jpeg" length="1045959"/>
    <category term="business"/>
    <category term="family"/>
    <category term="neighborhoods"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">South East &amp; South West Corners of Greenwich &amp; Franklin Streets, 1861</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">In addition to the Five Points, black New Yorkers settled in and around Greenwich Street from the 1820s on.  Much like the Five Points, the area was overcrowded and highly unsanitary.  In the 1850s, Peter Guignon could be found on Greenwich Street where he maintained his home and a barber shop several blocks south of Franklin Street.  If he wanted to visit his former classmate, James McCune Smith, Peter could simply walk north past Franklin Street to Smith&#039;s residence on North Moore Street right off of Greenwich Street.</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Sarony, Major  &amp; Knapp</div>
                    </div><!-- end element -->
                <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                                    <div class="element-text">Valentine&#039;s Manual</div>
                    </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1861</div>
                    </div><!-- end element -->
                <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Collection of author</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">lithograph</div>
                    </div><!-- end element -->
            </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/73/</id>
    <title><![CDATA[Old Houses in Chatham Street, opposite the park, 1857]]></title>
    <summary><![CDATA[Frankfort Street ended at Chatham Street, a couple of blocks west of Philip White&#039;s drugstore, so Philip would have been quite familiar with this street.  <br />
<br />
In the 1850s, southerner William Bobo visited the city and remarked that although Chatham Street was only a quarter of a mile long, &quot;there is more to see in that quarter of a mile, than in twice the distance on any other street of the city of New-York.&quot;  He described the street in some detail.  &quot;On the right-hand it seems that every house is a ready-made clothing establishment.  .  .  .  On the left are silver-smith and jewellry stores--shirts, boots, shoes, and hats--and all kinds of other commodities, from pea-nuts to double barrel shot guns.  The variety does not so much astonish you, as the little space it is all crowded into.&quot;  Bobo looked askance at these establishments, referring to them as &quot;barefaced swindling shops.&quot;<br />
<br />
]]></summary>
    <updated>2012-06-03T17:12:19-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/73/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/2335e768c7e3cda9912559d6e1925181.jpg" type="image/jpeg" length="1069514"/>
    <category term="business"/>
    <category term="family"/>
    <category term="neighborhoods"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Old Houses in Chatham Street, opposite the park, 1857</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">Frankfort Street ended at Chatham Street, a couple of blocks west of Philip White&#039;s drugstore, so Philip would have been quite familiar with this street.  <br />
<br />
In the 1850s, southerner William Bobo visited the city and remarked that although Chatham Street was only a quarter of a mile long, &quot;there is more to see in that quarter of a mile, than in twice the distance on any other street of the city of New-York.&quot;  He described the street in some detail.  &quot;On the right-hand it seems that every house is a ready-made clothing establishment.  .  .  .  On the left are silver-smith and jewellry stores--shirts, boots, shoes, and hats--and all kinds of other commodities, from pea-nuts to double barrel shot guns.  The variety does not so much astonish you, as the little space it is all crowded into.&quot;  Bobo looked askance at these establishments, referring to them as &quot;barefaced swindling shops.&quot;<br />
<br />
</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">A. Weingartner&#039;s Lithography</div>
                    </div><!-- end element -->
                <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                                    <div class="element-text">Valentine&#039;s Manual</div>
                    </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1857</div>
                    </div><!-- end element -->
                <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Collection of author</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">lithograph</div>
                    </div><!-- end element -->
            </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/72/</id>
    <title><![CDATA[View of William Street, looking up from Frankfort St, 1859]]></title>
    <summary><![CDATA[Philip White must have walked William Street countless numbers of times.  It lay a mere block west of his drugstore located at the corner of Frankfort and Gold Streets.]]></summary>
    <updated>2012-06-03T17:08:39-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/72/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/9e7289af90eb399a7f2e5536c6904de3.jpg" type="image/jpeg" length="983374"/>
    <category term="business"/>
    <category term="family"/>
    <category term="neighborhoods"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">View of William Street, looking up from Frankfort St, 1859</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">Philip White must have walked William Street countless numbers of times.  It lay a mere block west of his drugstore located at the corner of Frankfort and Gold Streets.</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">A. Weingartner&#039;s Lithography</div>
                    </div><!-- end element -->
                <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                                    <div class="element-text">Valentine&#039;s Manual</div>
                    </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1859</div>
                    </div><!-- end element -->
                <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Collection of author</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">lithograph</div>
                    </div><!-- end element -->
            </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/44/</id>
    <title><![CDATA[Thomas Downing, New York City pioneer and restaurant owner]]></title>
    <summary><![CDATA[Born into slavery in Virginia, Thomas Downing escaped north with his family and settled in New York City.  He was a prominent leader in the black community, an early member of the African Society for Mutual Relief, a vestryman at St. Philip&#039;s, a promoter of education for black youth, and a fighter for black civil rights in the city.<br />
<br />
In addition, Downing ran an oyster house on Broad Street.  Because of its proximity to the Customs House, the port, banks, the Merchant exchange, and other important businesses, Downing counted some of New York’s most powerful men among his customers.  It was said that he often passed messages back and forth between customers at different tables and that people then assumed that he wielded influence at the highest level of city government.  As a result, scores of office seekers flocked to his restaurant.<br />
<br />
When Downing died in 1866, hundreds of people—both black and white—attended his funeral.]]></summary>
    <updated>2013-03-22T23:06:09-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/44/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/6bae9f529a66f641cbf2c2db053c1c71.jpg" type="image/jpeg" length="2085554"/>
    <category term="business"/>
    <category term="political activism"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Thomas Downing, New York City pioneer and restaurant owner</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">Born into slavery in Virginia, Thomas Downing escaped north with his family and settled in New York City.  He was a prominent leader in the black community, an early member of the African Society for Mutual Relief, a vestryman at St. Philip&#039;s, a promoter of education for black youth, and a fighter for black civil rights in the city.<br />
<br />
In addition, Downing ran an oyster house on Broad Street.  Because of its proximity to the Customs House, the port, banks, the Merchant exchange, and other important businesses, Downing counted some of New York’s most powerful men among his customers.  It was said that he often passed messages back and forth between customers at different tables and that people then assumed that he wielded influence at the highest level of city government.  As a result, scores of office seekers flocked to his restaurant.<br />
<br />
When Downing died in 1866, hundreds of people—both black and white—attended his funeral.</div>
                    </div><!-- end element -->
                <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">NYPL: psnypl_scg_527<br />
Portrait Collection</div>
                    </div><!-- end element -->
                        <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Photographs and Prints Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">photograph</div>
                    </div><!-- end element -->
            </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/43/</id>
    <title><![CDATA[Peter Ray]]></title>
    <summary><![CDATA[The father of Cornelia and Peter Williams Ray, Peter Ray was one of the black community’s most respected members.  Born in 1800, he began working in Peter and George Lorillard’s tobacco company as an errand boy in 1811.  When he died in 1882, he was one of the general superintendents in the company’s new factory in Jersey City.  The Lorillards valued him as a worker, recognizing his skill as a &quot;judge of leaf tobacco, and which will do best for snuff and which for cutting, for smoking and chewing tobacco,&quot; and rewarded accordingly.<br />
<br />
Ray was also an important leader in the black community.  He was active in the affairs of St. Philip’s since its inception, serving as the vestry’s senior warden for all but two years between 1843 and 1862.  He also worked tirelessly on behalf of black education, cajoling the city&#039;s public school system into hiring black teachers.  ]]></summary>
    <updated>2012-07-17T22:38:04-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/43/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/272e40519ff2589946a89f363cdbaacf.jpg" type="image/jpeg" length="4659347"/>
    <category term="business"/>
    <category term="family"/>
    <category term="tobacco"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Peter Ray</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">The father of Cornelia and Peter Williams Ray, Peter Ray was one of the black community’s most respected members.  Born in 1800, he began working in Peter and George Lorillard’s tobacco company as an errand boy in 1811.  When he died in 1882, he was one of the general superintendents in the company’s new factory in Jersey City.  The Lorillards valued him as a worker, recognizing his skill as a &quot;judge of leaf tobacco, and which will do best for snuff and which for cutting, for smoking and chewing tobacco,&quot; and rewarded accordingly.<br />
<br />
Ray was also an important leader in the black community.  He was active in the affairs of St. Philip’s since its inception, serving as the vestry’s senior warden for all but two years between 1843 and 1862.  He also worked tirelessly on behalf of black education, cajoling the city&#039;s public school system into hiring black teachers.  </div>
                    </div><!-- end element -->
                <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">NYPL ID number: 1800761<br />
George Arents Collection</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                                    <div class="element-text">Manuscript Receipt Book.  ca. 1825-ca. 1843/ Receipts, chiefly for curing tobacco and preparing snuff  </div>
                    </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">circa 1842</div>
                    </div><!-- end element -->
                <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">The New York Public Library, Astor, Lenox and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/42/</id>
    <title><![CDATA[Pierre Toussaint]]></title>
    <summary><![CDATA[Pierre Toussaint was one of the slaves that the Berards, a former grand blanc slaveholding family from St. Domingue, brought with them to New York when they fled the Haitian revolution.  Emancipated in 1807, Toussaint became a hairdresser, built a thriving business, and bought property.  He invested his profits in several of the city’s fire insurance companies and, when the great fire of 1835 struck, he lost ninety-five percent of his net worth, as much as $900,000 in today’s money.  He slowly and patiently rebuilt all he had lost.<br />
<br />
Toussaint was successful because he was a beneficiary of considerable white largesse.  Despite the fact that he had been their slave, Toussaint remained loyal to the Berards and their circle of friends.  In turn, they introduced him to many of the city&#039;s prominent families and he converted these relationships into a veritable money-making machine.  Although Toussaint did work out of the salon in his home, the most lucrative part of his work came from home visits to elite families where he cut and styled their hair.  As contract clients, they paid him a fixed annual sum for weekly visits.  In his waning years, it’s possible that Toussaint wanted to pass on some of his specialized knowledge to a younger man like Peter Guignon.  <br />
]]></summary>
    <updated>2013-03-22T23:17:24-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/42/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/8fe55b112a35aa74d912e1206d4dfb1c.jpg" type="image/jpeg" length="451535"/>
    <category term="business"/>
    <category term="hairdressing"/>
    <category term="slavery"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Pierre Toussaint</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">Pierre Toussaint was one of the slaves that the Berards, a former grand blanc slaveholding family from St. Domingue, brought with them to New York when they fled the Haitian revolution.  Emancipated in 1807, Toussaint became a hairdresser, built a thriving business, and bought property.  He invested his profits in several of the city’s fire insurance companies and, when the great fire of 1835 struck, he lost ninety-five percent of his net worth, as much as $900,000 in today’s money.  He slowly and patiently rebuilt all he had lost.<br />
<br />
Toussaint was successful because he was a beneficiary of considerable white largesse.  Despite the fact that he had been their slave, Toussaint remained loyal to the Berards and their circle of friends.  In turn, they introduced him to many of the city&#039;s prominent families and he converted these relationships into a veritable money-making machine.  Although Toussaint did work out of the salon in his home, the most lucrative part of his work came from home visits to elite families where he cut and styled their hair.  As contract clients, they paid him a fixed annual sum for weekly visits.  In his waning years, it’s possible that Toussaint wanted to pass on some of his specialized knowledge to a younger man like Peter Guignon.  <br />
</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Anthony Meucci</div>
                    </div><!-- end element -->
                    <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">circa 1825</div>
                    </div><!-- end element -->
                <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">The New-York Historical Society</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">miniature watercolor on ivory</div>
                    </div><!-- end element -->
            <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                                    <div class="element-text">3 1/4 x 2 1/2</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->
]]></content>
  </entry>
</feed>
