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  <id>https://archive.blackgothamarchive.org/items/browse/page/10/?output=atom</id>
  <title><![CDATA[Black Gotham Archive]]></title>
  <author>
    <name><![CDATA[Unknown]]></name>
  </author>
  <rights><![CDATA[Copyright Black Gotham Archive. All Rights Reserved.]]></rights>
  <updated>2018-07-10T17:31:55-04:00</updated>
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  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/26/</id>
    <title><![CDATA[Print of Mr. Hewlett as Richard III in imitation of Kean]]></title>
    <summary><![CDATA[James Hewlett was Elizabeth Marshall&#039;s brother and hence my great-great-great-granduncle.  His life is shrouded in mystery.  But what we do know about him is that he became a play actor and performed the roles of Richard III and Othello among others at the African Grove Theater in the 1820s and 1830s.  He also had several brushes with the law.   His behavior was considered highly disreputable by the black elite and he was pretty much disowned by my family.]]></summary>
    <updated>2012-06-07T15:27:24-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/26/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/8d311e6e19dc186a91c8b1c2687b4d9d.jpg" type="image/jpeg" length="2145977"/>
    <category term="family"/>
    <category term="theater"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Print of Mr. Hewlett as Richard III in imitation of Kean</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">James Hewlett was Elizabeth Marshall&#039;s brother and hence my great-great-great-granduncle.  His life is shrouded in mystery.  But what we do know about him is that he became a play actor and performed the roles of Richard III and Othello among others at the African Grove Theater in the 1820s and 1830s.  He also had several brushes with the law.   His behavior was considered highly disreputable by the black elite and he was pretty much disowned by my family.</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">I. Scoles</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Prints Ports (Hewlett, James)</div>
                    </div><!-- end element -->
                <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">circa 1825</div>
                    </div><!-- end element -->
                <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Portrait Prints (James Hewlett), Harvard Theatre Collection, Houghton Library, Harvard University</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
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    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">engraving</div>
                    </div><!-- end element -->
            </div><!-- end element-set -->
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  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/25/</id>
    <title><![CDATA[Williamson genealogical page (James Hewlett and others)]]></title>
    <summary><![CDATA[This single page from the Harry Albro Williamson papers at the Schomburg Research Center gave me quite a bit of information about my family&#039;s genealogy.  My great-great-great-grandmother, Elizabeth Hewlett, married a man named Joseph Marshall who came from Maraicabo, Venezuela.  Her brother, James Hewlett, became a &quot;play actor,&quot; and since that was considered a disreputable line of work at the time he was disowned by the family.<br />
<br />
Elizabeth and Joseph Marshall had four daughters, one of whom, Rebecca, married  my great-great-grandfather, Peter Guignon in 1840.  She is my great-great-grandmother.  Elsewhere in Williamson&#039;s papers I discovered that Rebecca&#039;s sister, Mary Joseph, married Albro Lyons, also in 1840.   Their daughter, Maritcha (my great-grandaunt), wrote a memoir that&#039;s preserved in the Williamson papers.  He was Williamson&#039;s aunt, and the two seem to have been very close.]]></summary>
    <updated>2012-07-17T22:31:01-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/25/"/>
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    <category term="family"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Williamson genealogical page (James Hewlett and others)</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">This single page from the Harry Albro Williamson papers at the Schomburg Research Center gave me quite a bit of information about my family&#039;s genealogy.  My great-great-great-grandmother, Elizabeth Hewlett, married a man named Joseph Marshall who came from Maraicabo, Venezuela.  Her brother, James Hewlett, became a &quot;play actor,&quot; and since that was considered a disreputable line of work at the time he was disowned by the family.<br />
<br />
Elizabeth and Joseph Marshall had four daughters, one of whom, Rebecca, married  my great-great-grandfather, Peter Guignon in 1840.  She is my great-great-grandmother.  Elsewhere in Williamson&#039;s papers I discovered that Rebecca&#039;s sister, Mary Joseph, married Albro Lyons, also in 1840.   Their daughter, Maritcha (my great-grandaunt), wrote a memoir that&#039;s preserved in the Williamson papers.  He was Williamson&#039;s aunt, and the two seem to have been very close.</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Harry A. Williamson</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">NYPL ID number: 1819710<br />
Page 11 from &quot;Genealogy of the Family of George Lyons, 1st, 17__ and its various branches commencing with George Lyons, 2nd, 1783&quot;</div>
                    </div><!-- end element -->
                        <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox, and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/24/</id>
    <title><![CDATA[St. Philip&#039;s Vestry eulogy of Philip White, February 1891]]></title>
    <summary><![CDATA[When Philip White died in February 1891 tributes poured in from all corners of the black community (as well as the white).  St. Philip&#039;s vestry, of which Philip had been senior warden for many years, paused in its business deliberations to commemorate his life and death.  Interestingly, this eulogy was penned by the then secretary of the vestry, Jerome Bowers Peterson, who would marry Philip&#039;s daughter, Cornelia, two years later.]]></summary>
    <updated>2012-07-17T22:30:22-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/24/"/>
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    <category term="family"/>
    <category term="obituaries"/>
    <category term="St. Philip's Episcopal Church"/>
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    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">St. Philip&#039;s Vestry eulogy of Philip White, February 1891</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">When Philip White died in February 1891 tributes poured in from all corners of the black community (as well as the white).  St. Philip&#039;s vestry, of which Philip had been senior warden for many years, paused in its business deliberations to commemorate his life and death.  Interestingly, this eulogy was penned by the then secretary of the vestry, Jerome Bowers Peterson, who would marry Philip&#039;s daughter, Cornelia, two years later.</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">St. Philip&#039;s vestry</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">NYPL ID number: 1819713<br />
</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                                    <div class="element-text">St. Philip&#039;s Church Vestry Minutes Book, 1888-1894</div>
                    </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1891</div>
                    </div><!-- end element -->
                <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox, and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/23/</id>
    <title><![CDATA[Obituary page of Philip White]]></title>
    <summary><![CDATA[<p>This obituary of Philip White is in the Rhoda Freeman Collection at the Schomburg Center and the page it's pasted on is from the same the unidentified scrapbook as that of Peter Guignon. It appeared in the February 19, 1891 issue of the <em>New York Age</em>. The obituary states that Philip was born sixty-eight years ago which would mean in 1823. All it tells us about his parents is that &ldquo;his father died when he was quite young and he was thrown upon his own resources.&rdquo;</p>
<p>I found a lot more information about Philip and his family in a eulogy written by his longtime friend George Downing. According to Downing, Philip&rsquo;s father, Thomas White, came from northern England, while his mother, Elizabeth Steele, was from Jamaica. I don&rsquo;t know whether Elizabeth was born a slave or free; where she and Thomas White met; whether they were married; or how they ended up in the United States.</p>
<p>Significantly, however, and in contrast to most interracial relationships of the period, the White family lived as an intact household. The 1830 census lists them as living in Hoboken, New Jersey. There were six children, four daughters and two sons. By 1832 the family had moved to Manhattan where, according to the city directory, Thomas ran a grocery store at 102 Gold Street, on the corner of Frankfort Street, the very same location where Philip would estabish his drugstore some fifteen years later.</p>
<p>I&rsquo;ve found virtually no information about Philip&rsquo;s siblings. The 1850 census indicates that in addition to his mother, a sister, Sarah, lived with him. He had another sister, Mary, who married a man by the name of Richard Thompson.</p>
<p>Fascinatingly, the poems pasted to the left of Philip&rsquo;s obituary on the scrapbook page all refer to the things Philip cared about most during his lifetime. "Why Johnny Failed, Good for a Boy to Read" underscores Philip&rsquo;s commitment to education. "To Trinity" pays homage to the institution out of which his own church, St. Philips, grew. "References&rdquo; praises the comforts of home life. A final poem, &ldquo;If Only We Understood,&rdquo; hints mysteriously at emotional burdens Philip took with him to the grave. The second stanza reads:</p>
<p>"Ah! We judge each other harshly,<br /> Knowing not life&rsquo;s hidden force;<br /> Knowing not the fount of action<br /> Is less turbid at its source<br /> Seeing not amid the evil<br /> All the golden grains of good<br /> And we&rsquo;d live each other better<br /> If we only understood."</p>]]></summary>
    <updated>2012-06-10T14:51:32-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/23/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/b34b27054a883a34308dacfefd94803f.jpg" type="image/jpeg" length="4789569"/>
    <category term="family"/>
    <category term="obituaries"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Obituary page of Philip White</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>This obituary of Philip White is in the Rhoda Freeman Collection at the Schomburg Center and the page it's pasted on is from the same the unidentified scrapbook as that of Peter Guignon. It appeared in the February 19, 1891 issue of the <em>New York Age</em>. The obituary states that Philip was born sixty-eight years ago which would mean in 1823. All it tells us about his parents is that &ldquo;his father died when he was quite young and he was thrown upon his own resources.&rdquo;</p>
<p>I found a lot more information about Philip and his family in a eulogy written by his longtime friend George Downing. According to Downing, Philip&rsquo;s father, Thomas White, came from northern England, while his mother, Elizabeth Steele, was from Jamaica. I don&rsquo;t know whether Elizabeth was born a slave or free; where she and Thomas White met; whether they were married; or how they ended up in the United States.</p>
<p>Significantly, however, and in contrast to most interracial relationships of the period, the White family lived as an intact household. The 1830 census lists them as living in Hoboken, New Jersey. There were six children, four daughters and two sons. By 1832 the family had moved to Manhattan where, according to the city directory, Thomas ran a grocery store at 102 Gold Street, on the corner of Frankfort Street, the very same location where Philip would estabish his drugstore some fifteen years later.</p>
<p>I&rsquo;ve found virtually no information about Philip&rsquo;s siblings. The 1850 census indicates that in addition to his mother, a sister, Sarah, lived with him. He had another sister, Mary, who married a man by the name of Richard Thompson.</p>
<p>Fascinatingly, the poems pasted to the left of Philip&rsquo;s obituary on the scrapbook page all refer to the things Philip cared about most during his lifetime. "Why Johnny Failed, Good for a Boy to Read" underscores Philip&rsquo;s commitment to education. "To Trinity" pays homage to the institution out of which his own church, St. Philips, grew. "References&rdquo; praises the comforts of home life. A final poem, &ldquo;If Only We Understood,&rdquo; hints mysteriously at emotional burdens Philip took with him to the grave. The second stanza reads:</p>
<p>"Ah! We judge each other harshly,<br /> Knowing not life&rsquo;s hidden force;<br /> Knowing not the fount of action<br /> Is less turbid at its source<br /> Seeing not amid the evil<br /> All the golden grains of good<br /> And we&rsquo;d live each other better<br /> If we only understood."</p></div>
                    </div><!-- end element -->
                <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">ID number: 1819717<br />
Rhoda G. Freeman manuscript and research collectionm 1956-1985</div>
                    </div><!-- end element -->
                        <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox, and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Document Item Type Metadata</h2>
            <div id="document-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">Photomechanical print</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/22/</id>
    <title><![CDATA[Obituary Page of Peter Guignon]]></title>
    <summary><![CDATA[<p>I found this obituary of Peter Guignon in the Rhoda Freeman Collection at the Schomburg Center. It was pasted on a page taken from a scrapbook whose owner remains unidentified. The clipping is undated but the obituary appeared in the January 31, 1885 issue of the <em>New York Freeman</em>. It was written by Peter's longtime friend Alexander Crummell and is poignant for the intimate details it provides of the deceased's life and character. Crummell&rsquo;s obituary is fascinating for what it does not tell us about Peter&rsquo;s background. It notes simply that his mother came from the West Indies to New York City where her only child was born in 18[13]. That comment alone suggested to me that his mother was black (or mulatto). Crummell does not mention a father, but a short obituary notice in the <em>Brooklyn Daily Eagle</em> stated that both of his parents came from Haiti.</p>
<p>Over time, I've gathered additional pieces of the puzzle but have not been able to solve it altogether. Here are my two possibilities:</p>
<p>1) Peter's father was a white man. City directories of the 1820s list both a Joseph and a James Guignon as free white males. In addition, I discovered documents signed by both a Pierre and a Jacques Guignon in the St. Peter's Catholic Church archives. Members of the Berard family were co-signatories to one of the documents, a marriage ban. The Berards were well-known grand blanc slaveholders who fled Haiti at the time of the revolution and arrived in New York in the late 1790s. It's likely that the two families moved in the same social circle. So it's possible that Peter's father was one of the Guignons who signed the documents. That would make him the "white Haitian" ancestor to whom my aunt referred.</p>
<p>2) Peter's father was a mulatto. A unknown cousin recently found me online and we've had a lot of telephone conversations about our ancestors. According to her, Peter's father was named Pierre and he left Haiti in 1803 at the time of the revolution. So it's quite likely that he is the Pierre Guignon who signed the marriage ban. My cousin also possesses his naturalization papers which are dated 1809. But these papers make no mention of his race. All she has after that are family comments that seem as fuzzy as those from my aunt: that Pierre was the son of a slaveholder, and a very light skinned mulatto as was his wife. But my cousin has no idea what happened to Pierre after he got to New York. So once again I'm left with questions. Why did Crummell not mention Pierre? Did Pierre die early? Leave the city? Leave his family and pass for white? And would the Berards have co-signed a marriage ban with a mulatto man? I simply don't know.</p>]]></summary>
    <updated>2012-07-17T22:29:19-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/22/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/585d7394f2ebc704bac62fb4923c10b5.jpg" type="image/jpeg" length="177612"/>
    <category term="family"/>
    <category term="obituaries"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Obituary Page of Peter Guignon</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>I found this obituary of Peter Guignon in the Rhoda Freeman Collection at the Schomburg Center. It was pasted on a page taken from a scrapbook whose owner remains unidentified. The clipping is undated but the obituary appeared in the January 31, 1885 issue of the <em>New York Freeman</em>. It was written by Peter's longtime friend Alexander Crummell and is poignant for the intimate details it provides of the deceased's life and character. Crummell&rsquo;s obituary is fascinating for what it does not tell us about Peter&rsquo;s background. It notes simply that his mother came from the West Indies to New York City where her only child was born in 18[13]. That comment alone suggested to me that his mother was black (or mulatto). Crummell does not mention a father, but a short obituary notice in the <em>Brooklyn Daily Eagle</em> stated that both of his parents came from Haiti.</p>
<p>Over time, I've gathered additional pieces of the puzzle but have not been able to solve it altogether. Here are my two possibilities:</p>
<p>1) Peter's father was a white man. City directories of the 1820s list both a Joseph and a James Guignon as free white males. In addition, I discovered documents signed by both a Pierre and a Jacques Guignon in the St. Peter's Catholic Church archives. Members of the Berard family were co-signatories to one of the documents, a marriage ban. The Berards were well-known grand blanc slaveholders who fled Haiti at the time of the revolution and arrived in New York in the late 1790s. It's likely that the two families moved in the same social circle. So it's possible that Peter's father was one of the Guignons who signed the documents. That would make him the "white Haitian" ancestor to whom my aunt referred.</p>
<p>2) Peter's father was a mulatto. A unknown cousin recently found me online and we've had a lot of telephone conversations about our ancestors. According to her, Peter's father was named Pierre and he left Haiti in 1803 at the time of the revolution. So it's quite likely that he is the Pierre Guignon who signed the marriage ban. My cousin also possesses his naturalization papers which are dated 1809. But these papers make no mention of his race. All she has after that are family comments that seem as fuzzy as those from my aunt: that Pierre was the son of a slaveholder, and a very light skinned mulatto as was his wife. But my cousin has no idea what happened to Pierre after he got to New York. So once again I'm left with questions. Why did Crummell not mention Pierre? Did Pierre die early? Leave the city? Leave his family and pass for white? And would the Berards have co-signed a marriage ban with a mulatto man? I simply don't know.</p></div>
                    </div><!-- end element -->
                <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">NYPL ID number: 119718<br />
Rhoda G. Freeman Manuscript and Research Collection, 1956-1985</div>
                    </div><!-- end element -->
                        <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox, and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Document Item Type Metadata</h2>
            <div id="document-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">Photomechanical print</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/21/</id>
    <title><![CDATA[Peter W. Ray, M.D.; New York City]]></title>
    <summary><![CDATA[When Peter Guignon married Cornelia Ray after Rebecca&#039;&#039;s death, Peter Williams Ray became his brother-in-law.   Born in 1825, Ray attended Castleton Medical College in Vermont, graduating around 1850.  He then settled in Brooklyn where he opened a medical practice and pharmacy.  Because Peter Guignon had no steady career but had shifted from trade to trade without much success, Ray took him into his pharmacy to work as a druggist (there were no licensing requirements for druggists at the time).  Throughout his life Ray was a political activist, ardent freemason, and staunch member of St. Philip&#039;s Church.  He died in 1906.]]></summary>
    <updated>2012-07-17T22:28:39-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/21/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/1931918df25e12891a21c7bb9da0e5d0.jpg" type="image/jpeg" length="3435411"/>
    <category term="family"/>
    <category term="medicine"/>
    <category term="pharmacy"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Peter W. Ray, M.D.; New York City</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">When Peter Guignon married Cornelia Ray after Rebecca&#039;&#039;s death, Peter Williams Ray became his brother-in-law.   Born in 1825, Ray attended Castleton Medical College in Vermont, graduating around 1850.  He then settled in Brooklyn where he opened a medical practice and pharmacy.  Because Peter Guignon had no steady career but had shifted from trade to trade without much success, Ray took him into his pharmacy to work as a druggist (there were no licensing requirements for druggists at the time).  Throughout his life Ray was a political activist, ardent freemason, and staunch member of St. Philip&#039;s Church.  He died in 1906.</div>
                    </div><!-- end element -->
                <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">NYPL ID number: 1215940</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                                    <div class="element-text">John A. Kenney, The Negro in Medecine.  Tuskegee Institute Press, 1912. Pl. 19, left.</div>
                    </div><!-- end element -->
                    <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">General Research &amp; Reference Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">photograph from book</div>
                    </div><!-- end element -->
            </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/20/</id>
    <title><![CDATA[Maritcha Lyons as a school girl]]></title>
    <summary><![CDATA[Born in 1848, Maritcha was the daughter of Albro and Mary Joseph Lyons. She attended the city&#039;s Colored Schools where Charles Reason was one of her teachers.   After graduation, she herself became a teacher and had a long career in elementary school education.  She was also a social activist, close friend of Ida B. Wells, and founding member of a black women&#039;s club in Brooklyn, the Woman&#039;s Loyal Union.  <br />
<br />
According to Maritcha, her father once told her: &quot;I want you to write a book; I tried to do this myself but never got further than the selection of a title—&quot;The Gentlemen in Black.&quot;  She eventually wrote a memoir which she titled &quot;Memories of Yesterdays: All of Which I Saw and Part of Which I Was.&quot;  It&#039;s preserved in the Harry Albro Williamson papers at the Schomburg Center.  <br />
<br />
Maritcha never married and died in 1929.<br />
]]></summary>
    <updated>2012-07-17T22:46:39-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/20/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/e9c24ea81dbf9a672f83dd9524fa5e92.jpg" type="image/jpeg" length="2572509"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Maritcha Lyons as a school girl</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">Born in 1848, Maritcha was the daughter of Albro and Mary Joseph Lyons. She attended the city&#039;s Colored Schools where Charles Reason was one of her teachers.   After graduation, she herself became a teacher and had a long career in elementary school education.  She was also a social activist, close friend of Ida B. Wells, and founding member of a black women&#039;s club in Brooklyn, the Woman&#039;s Loyal Union.  <br />
<br />
According to Maritcha, her father once told her: &quot;I want you to write a book; I tried to do this myself but never got further than the selection of a title—&quot;The Gentlemen in Black.&quot;  She eventually wrote a memoir which she titled &quot;Memories of Yesterdays: All of Which I Saw and Part of Which I Was.&quot;  It&#039;s preserved in the Harry Albro Williamson papers at the Schomburg Center.  <br />
<br />
Maritcha never married and died in 1929.<br />
</div>
                    </div><!-- end element -->
                <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">NYPL: psnypl_scg_194<br />
Nineteenth Century Collections--Ambrotype Collection</div>
                    </div><!-- end element -->
                <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">circa 1860</div>
                    </div><!-- end element -->
                <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Photographs and Prints Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">ambrotype</div>
                    </div><!-- end element -->
            </div><!-- end element-set -->
]]></content>
  </entry>
  <entry>
    <id>https://archive.blackgothamarchive.org/items/show/19/</id>
    <title><![CDATA[Double ambrotype portrait of Albro Lyons, Sr. and Mary Joseph Lyons]]></title>
    <summary><![CDATA[Mary Joseph was the sister of my great-great-grandmother Rebecca Marshall.  She married Albro Lyons in 1840, the same year that Rebecca and Peter Guignon got married.  Albro ran a Colored Sailors&#039; Home with William Powell on Pearl Street.  He later set up hiw own establishment in his home on Vandewater Street.  He was a political activist and the Lyons home was a stop on the Underground Railroad.  One of their daughters, Maritcha, wrote a memoir which provides many fascinating details of her parents&#039; life.  It is preserved in the Harry A. Williamson papers at the Schomburg Center.]]></summary>
    <updated>2012-07-17T22:46:02-04:00</updated>
    <link rel="alternate" type="text/html" href="https://archive.blackgothamarchive.org/items/show/19/"/>
    <link rel="enclosure" href="https://archive.blackgothamarchive.org/archive/files/4acfc4dc24d6a8aa501de92f821f11cf.jpg" type="image/jpeg" length="4929558"/>
    <category term="Colored Sailors Home"/>
    <category term="family"/>
    <category term="political activism"/>
    <content type="html"><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Double ambrotype portrait of Albro Lyons, Sr. and Mary Joseph Lyons</div>
                    </div><!-- end element -->
                <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">Mary Joseph was the sister of my great-great-grandmother Rebecca Marshall.  She married Albro Lyons in 1840, the same year that Rebecca and Peter Guignon got married.  Albro ran a Colored Sailors&#039; Home with William Powell on Pearl Street.  He later set up hiw own establishment in his home on Vandewater Street.  He was a political activist and the Lyons home was a stop on the Underground Railroad.  One of their daughters, Maritcha, wrote a memoir which provides many fascinating details of her parents&#039; life.  It is preserved in the Harry A. Williamson papers at the Schomburg Center.</div>
                    </div><!-- end element -->
                <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">NYPL ID number: 104936<br />
Nineteenth Century Collections--Ambrotype Collection</div>
                    </div><!-- end element -->
                <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">circa 1860</div>
                    </div><!-- end element -->
                <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">Photographs and Prints Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox and Tilden Foundations</div>
                    </div><!-- end element -->
                                </div><!-- end element-set -->
<div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">ambrotype</div>
                    </div><!-- end element -->
            </div><!-- end element-set -->
]]></content>
  </entry>
</feed>
